杉本博司 1977年作 《纽约展望公园剧院》

款识：签名（裱框）
铃印：标题、日期、15/25, 214（边缘）

Damiani and Matsumoto Editions, Hiroshi Sugimoto: Theaters, pp. 22, 172Sonnabend Gallery, Sugimoto, n.p.Sonnabend Sundell Editions, THEATERS HIROSHI SUGIMOTO, pp. 38-39, 222Mori Art Museum and Hirshhorn Museum and Sculpture Garden, Hiroshi Sugimoto, p. 91, 359 (this print)

"One night I had an idea while I was at the movies: to photograph the film itself. I tried to imagine photographing an entire feature film with my camera. I could already picture the projection screen making itself visible as a white rectangle. In my imagination, this would appear as a glowing, white rectangle; it would come forward from the projection surface and illuminate the entire theater. This idea struck me as being very interesting, mysterious, and even religious."
—Hiroshi Sugimoto


来源:
日本私人收藏
现藏者购自上述来源

文学:
Damiani and Matsumoto Editions, Hiroshi Sugimoto: Theaters, pp. 22, 172Sonnabend Gallery, Sugimoto, n.p.Sonnabend Sundell Editions, THEATERS HIROSHI SUGIMOTO, pp. 38-39, 222Mori Art Museum and Hirshhorn Museum and Sculpture Garden, Hiroshi Sugimoto, p. 91, 359 (this print)

银盐照片

condition:
Neutral toned print with margins, mounted to single-ply board. No surface aberrations visible. Examined and sold framed.

作者简介:
Hiroshi Sugimoto's work examines the concepts of time, space and the metaphysics of human existence through breathtakingly perfect images of theaters, mathematical forms, wax figures and seascapes. His 8 x 10 inch, large-format camera and long exposures give an almost eerie serenity to his images, treating the photograph as an ethereal time capsule and challenging its associations of the 'instant.' In his famed Seascapes, Sugimoto sublimely captures the nature of water and air, sharpening and blurring the elements together into a seamless, formless entity.  This reflection of the human condition and its relationship with time follows through his exploration of historical topics and timeless beauty as he uniquely replicates the world around us.

创作年代:
1977年作