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寿山石多层透雕田园耕读图山子摆件

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分类:
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说明:
年代断定:晚清寿山石山水人物文房山子 断代特征:采用淡青黄色寿山石材,正面多层镂空透雕耕牛、农夫、仙童、楼阁山水,背面浅浮雕山林屋舍,立体繁复镂雕工艺为晚清典型。 其他拍卖行记录:同类晚清寿山石透雕人物山子国内拍卖成交价 6000-18000 元人民币;海外同类寿山石摆件起拍价多在 800-2200 美金。 品相特征:主体镂雕人物、树木无大面积崩损,石底天然石纹清晰;石材存在原生石筋,无后天冲裂修
文档编号:
art0231200102
估价 :
1,200-2,200 RMB 8,164-14,967 USD
成交价 :
暂无
作者:
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尺寸:
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材质:
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形制:
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拍卖日期:
2026-07-12 暂无
钤印:
暂无
专场:
“美冠中华”第二届古董交流拍卖专场
拍卖会:
“美冠中华”第二届古董交流拍卖会 - [暂无]

拍品描述:

年代断定:晚清寿山石山水人物文房山子
断代特征:采用淡青黄色寿山石材,正面多层镂空透雕耕牛、农夫、仙童、楼阁山水,背面浅浮雕山林屋舍,立体繁复镂雕工艺为晚清典型。
其他拍卖行记录:同类晚清寿山石透雕人物山子国内拍卖成交价 6000-18000 元人民币;海外同类寿山石摆件起拍价多在 800-2200 美金。
品相特征:主体镂雕人物、树木无大面积崩损,石底天然石纹清晰;石材存在原生石筋,无后天冲裂修补痕迹。
A Shoushan Stone Multi-Layered Openwork 'Pastoral Farming and Studying' Scholars' Rock, Qing Dynasty
Estimated Date: Late Qing Dynasty. A Shoushan stone landscape and figural scholar's mountain carving (shanzi).
Attribution: The carving is executed from a single piece of pale yellowish-green Shoushan stone and displays the elaborate openwork craftsmanship characteristic of the late Qing period. The front is intricately carved in multiple layers with a picturesque landscape populated by a water buffalo, farmer, immortal attendant, pavilions, and mountainous scenery, creating a strong sense of depth and movement. The reverse is decorated in low relief with wooded hills and rustic dwellings, providing a harmonious continuation of the landscape. The combination of openwork carving, finely detailed figures, and idyllic rural imagery exemplifies the scholar's desk ornaments (shanzi) favored during the late Qing Dynasty.
Comparable Auction Results: Comparable late Qing Shoushan stone openwork landscape carvings with figures have realized RMB 6,000–18,000 at Chinese auctions, while similar examples have appeared in international Asian art sales with estimates generally ranging from USD 800–2,200.
Condition: The carving is in very good overall condition. The openwork figures, trees, and architectural elements remain intact with no significant losses or restoration. Natural stone veining is visible on the underside, consistent with the material, and there is no evidence of later cracks or repairs. The sculpture presents well with an attractive, naturally aged surface.